Micro-NIKKOR (1969-1979) © KenRockwell.com. All rights reserved.
Ideal Uses: Super-sharp normal lens for manual-focus and
FX cameras in good light. Photography of fish in tanks. Nikon's least expensive used macro lens; and it will work on even the cheapest cameras like the
D40 but you will have to guess at exposure.
Not for: For serious macro use,
105mm or
200mm lenses are much better ideas because they give you enough room between you and your subject. As a manual focus lens, I wouldn't use this for sports, kids or action since it's too hard to track focus by hand.
| Optics: |  |
| Ergonomics: |  (manual focus) |
| Usefulness: | |
| Availability: | |
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Nikon uses the word "Micro" to mean the same thing as "macro." I'll use these words interchangeably.
The Nikon Micro-NIKKOR 55mm f/3.5 is an excellent manual-focus lens. It works perfectly on every manual-focus Nikon camera, and also works great on all better digital Nikons, especially the
D3X,
D700 and other
FX cameras. It won't meter with the cheaper DX digital or AF cameras like the
D90; for these cameras, guess and use the LCD, or use the
Gossen Digisix meter and hot-shoe adapter.
For manual focus cameras, the newer f/2.8
AI-s version is still made today, and used f/2.8 versions cost very little more. This f/3.5 is a great lens, but if I had my choice, I'd get the f/2.8. I only bought this one to archive here; I already have two f/2.8 AI-s 55mm lenses I bought new over the years.
For AF and digital cameras, I'd suggest getting the newest
60mm AFD instead. For the D40, you'll want the
60mm AF-S to have autofocus.
Even for manual focus cameras today, I'd suggest getting the
60mm AFD since it also will work perfectly on your AF cameras.
The optics of all of these lenses are superlative; it's the mechanics and ease of use with AF and digital cameras which varies.
Focus Scale, Nikon 55/3.5. enlarge.
The manual-focus 55mm f/3.5 AI works great with most Nikon cameras, film and digital.
It works flawlessly with every manual focus Nikon ever made, from the
F of 1959 through the
FM3a and today's
FM-10.
On the
D3X,
D3,
D700,
D300,
D200,
D2 and
F6, use the "Non-CPU Lens Data" menu option to set 55mm and f/3.5 to get full matrix metering, EXIF data and finder read-out of set aperture. It works great in aperture-preferred as well as manual modes on these cameras.
It works perfectly on every professional film camera (
F,
F2,
F3,
F4,
F5,
F6), and adds Matrix metering on the
FA,
F4 and
F6.
The meters of cheaper digital (
D80 and below) and cheaper film cameras (
N80 and below) will not couple (or work at all) with this lens, so you'll be on your own guessing exposure using the rear LCD or an external meter, or get a tiny
Gossen Digisix meter and hot shoe adapter to meter manually.
The earliest non-AI versions should be upgraded to AI, otherwise, they are compatible with much fewer cameras. If you have a non-AI lens, see
Nikon Lens Compatibility and read down the "pre-AI" column.
Nikon made this same optical design starting in 1961, and changed the cosmetics, mechanics and coatings as time progressed.
The version shown above is the newest AI version made from about 1975 - 1979.
1956-1961
God only knows how you focused or composed without through-the-lens viewing.
Nikon didn't make a lot of these;
LEICA was the market leader in those days.
1961-1969
Nikon put the same optics from the rangefinder lens in an
F (SLR) mount mount for its new
Nikon F 35mm SLR.
THey made at least two different cosmetic versions of this SLR lens.
Nikon made about 100,000 of these early verisons.
1969-1979
Nikon changed the optics slighty to the version reviewed here. Nikon made several different cosmetic versions, both
AI and
non-AI with the same optics, both single and multi-coated.
THese versions are best iditfied by
serial number, or more casually, by a rubber (not fluted aluminum) focus grip.
Nikon made about 500,000 of these later verisons; about 275,000 AI and 165,000 non-AI.
1979 - today
This current f/2.8 version adds CRC, close-range-correction, for optimum performance at every distance.
Nikon has made about 600,000 of these — so far.
1986-1989
55mm f/2.8 AF, Nikon's first AF micro, used the same optics as the AI-s verison.
Nikon only made about 50,000 of these.
1989-1993
Nikon made about 150,000 of these non-D AF versions.
1993-today
Nikon made about 300,000 of the AF-D versions, or about 450,000 total 60mm f/2.8 AF — so far.
2008-today
The newest version is the
60mm AF-S Micro, which replaces the
60mm AF-D Micro. The AF-S micro will not work on cameras older than about 1993, while all these other lenses are perfectly compatible with them.
| |
Price,
new*
|
Corrected for
inflation, 2008
|
1966
|
$129.50
|
$865
|
1977
|
$186.95
|
$670
|
2008
|
—
|
$65 used
|
2011
|
—
|
|
2015
|
—
|
|
* At full
NYC discount. Very few people bought their lenses this inexpensively back then.
Name
Nikon calls this the Nikon Micro-NIKKOR AI 55mm f/3.5.
Optics
55mm f/3.5 schematic diagram.
5 elements in 4 groups.
Conventional spherical design, no floating elements.
Newer ones are multicoated.
Optimum Reproduction Ratio
1:10, which is at 2.4 feet or 0.7 meters.
Close Focus
Focus Scale, Nikon 55/3.5. enlarge.
From the image plane (front of lens wil be much closer):
0.79 feet.
9.5 inches.
0.241 meters.
Maximum Reproduction Ratio
1:2. You get between 1:2 and 1:1 with either the PK-3 or PK-13 ring.
Diaphragm
Front view, Nikon 55mm f/3.5 AI. enlarge.
6 straight blades.
Stops down to f/32.
Aperture Ring
Yes, full-stop clicks.
Hard Infinity Focus Stop?
Yes.
This is great for astronomy; just turn to the stop and you have fixed laboratory-perfect focus all night.
Focus Scale
Yes.
Depth-of-Field Scale
Yes.
Infra-Red Focus Index
Yes: red dot near depth-of-field scale.
Filter Thread
52mm, metal.
Does not rotate.
Size
Nikon specifies 2.1" (53.5mm) extension from flange (2.54" or 64.5mm overall) by 2.6" (66mm) diameter.
Weight
8.495 oz. (240.8g), measured (AI version).
Nikon specifies 8.64 oz. (245g).
Hood
None needed; the front elements are already deeply recessed.
If you insist, Nikon specifies the common
HN-3 hood.
Case
Optional CL-31 case.
With the PK-3 or PK-13 ring, use the CL-33A case.
Use the #54 pouch, or #55 with a PK ring.
You also can use the CP-1 plastic bubble, or CP-2 with a PK ring.
Made in
Japan.
Teleconverters
The 55mm f/3.5 is a great lens. It just works, and always delivers sharp images.
Manual focus is easy.
Focus is as smooth as silk, perfectly damped with no play.
The
D3,
D700,
F4,
F6 and most professional AF cameras have three very precise electronic manual focus indicators.
Lesser digital cameras, like the
D300 and down, usually have just one "OK" focus dot, which is not as precise as two arrows and a dot.
The Nikon 55mm f/3.5 has no visible distortion.
Falloff on
FX is negligible.
I've exaggerated this by shooting a gray field and placing these on a gray background.
Nikon 55mm f/3.5 AI-s falloff on FX and film.
At infinity:
At 1:10:
At 1:2:
© 2008 KenRockwell.com. All rights reserved.
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There are no visible lateral color fringes on the D3, which would correct them if the lens had any.
Like all Nikkor manual focus AI lenses, the Nikon 55/3.5 is built to the highest mechanical standards of any lens ever made.
Barrel Exterior
Anodized and enameled aluminum.
Filter Threads
Anodized aluminum.
Focus Ring
Metal, rubber covered.
Focus Helicoids
Feels like brass: smooth and silky with no play or need for damping grease.
Depth-of-Field Scale
Engraved into barrel and filled with different colors of paint.
Internals
Metal.
Aperture Ring
Cast aluminum, anodized and enameled.
Engraved markings filled with different colors of paint coded to the depth-of-field scale.
Mount
Dull-chromed brass.
Markings
Engraved and filled with paint.
Identity and Serial Number
On the outside of the focus ring, engraved into the metal and filled with paint.
Rain seal at mount
No.
Noises When Shaken
Mild clicking from the diaphragm blades and actuation system.
Made in
Japan.
Nikon 55mm f/3.5 at close focus (1:2). enlarge.
With those caveats, the 55mm f/3.5 Micro-NIKKOR is super-sharp. It makes newer zooms like the awful
24-120mm VR look as bad as they are.
At infinity on a D3:
At f/3.5 and f/4
The center is super-sharp. The corners are sharp, but with a little less contrast.
At f/5.6
Everything is super-sharp side to side.
At f/8
Everything is super-sharp, and even the farthest corners are perfect. f/8 is optimum.
At f/11
As good as f/8.
At f/16
At f/22
At f/32
It's easy, just focus and shoot.
If you need to get closer than 9-1/2," use the PK-13 extension tube to get to 1:1 (life-size at the sensor or film).
Exposure Compensation for external light meters
Focus scale at close focus, Nikon 55/3.5. enlarge.
When focused closer, the lens extends away from the film or sensor. Since the mechanical diaphragm doesn't open to compensate, less light makes it to the film or sensor.
All modern Nikon cameras have their light meters built-in, so they automatically correct and use a slightly longer exposure time.
If you're using a hand-held meter (or non-TTL flash), here is the additional exposure needed as you get closer.
If you do this often, it's much handier to write these factors on a piece of removable white label attached to the focus ring. This way you can read the factor right off the lens as you focus. I simply put dots to mark how many third-stops are needed at the right spots on the front of the focus ring.
Repro
Ratio
|
Exposure
Factor
|
Stops
|
∞
|
1
|
0
|
1:10
|
1.2
|
0.3
|
1:8
|
1.3
|
0.3
|
1:6
|
1.4
|
0.4
|
1:4
|
1.6
|
0.6
|
1:2
|
2.3
|
1.2
|
1:1.8
|
2.4
|
1.3
|
1:1.6
|
2.6
|
1.4
|
1:1.4
|
2.9
|
1.6
|
1:1.2
|
3.4
|
1.7
|
1:1
|
4.0
|
2
|
R = Reproduction Ratio.
Exposure Factor = (1 + R)2
Stops Compensation: Log2 (Exposure Factor)
The
f/2.8 manual-focus 55mm lens is a tiny bit sharper in the corners wide-open at infinity, as are the other f/2.8 55mm and 60mm lenses. Then again, for $65 used, you can't do much better at any price for a lens better than this f/3.5. Stopped down to f/5.6 or f/8, nothing is sharper. Even at f/3.5, the resolving power in the center far exceeds the D3X; just peer through a
Lens Scope Converter and you'll see far more detail than you will in a D3X file.
I prefer a 105mm lens or longer for my macro work to allow enough distance for my lighting, or to put little bugs at ease. Friends use this focal length for photographing fish in aquarium tanks. The short focal length allows one to get close to the glass and still be able to see a complete fish, unlike a 105mm.
If you want a macro for duplicating documents then this is a good choice. If you want to photograph little animals, then go instead for a 105mm macro.
The 55mm Micro works great in place of a faster normal lens. When I was younger and stupider I thought that it would not be very good when used at ordinary distances. Whoops, it's spectacular at all distances. Unless you need the extra stop or two offered by the other 50mm normal lenses, you can forget about needing a separate normal 50mm lens if you have this.
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