The Coded Light of Leo Villareal
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Ceilings full of stars: a new book traces the artist's evolution from early
experiments in code-based art to monumental achievements in the public
realm....
Amani Willett — Invisible Sun
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Review by Lee Halvorsen • The Japanese have a word that perfectly
describes how I imagine Willett approached making this book…”Komorebi”
(木漏れ日) often tran...
viridescent, afire
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viridescent, afireSophie Wright
Enjoy more great photography:
- Poetry of Place: Rooted in the English Landscape
- Works of Fire
- In Search of th...
Review: Zeiss Milvus 25mm 1.4 Distagon
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Introduction About a year after the release of the Zeiss Otus 28mm 1.4
Distagon – to the surprise of many – Zeiss released this Zeiss Milvus 25mm
1.4 Dis...
Sony 70-400mm G SSM II 老蛙老闆設計的神鏡
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sony 這支 70-400mm F4-5.6 G SSM II 設計的一支鏡頭,一代就實在太廢,就算再便宜也不想入。 緣份到,平收支二代鏡玩,a
mount 鏡頭,對焦一定不如無反強大,還是70-400的超闊變焦鏡。 但衝著老蛙老版李大勇早期設計的神鏡,和sony a7cr
轉接機身對焦加乘這兩點。 不...
Sony Releases Alpha 1 Firmware Update 4.00
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Published: December 10, 2025 Applicable Model This information is for the
following models: ILCE-1 Benefits and Improvements • Adapts the display
layout ...
Minolta 35 Model IIB (1958)
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This is a Minolta 35 Model IIB, a 35mm rangefinder camera produced by
Chiyoda Kōgaku in Tokyo, Japan in 1958. The Model IIB was the last model
in the Mi...
Fujica DL-20 (Fujica Auto Mate)
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I had just sold a camera, which meant I had money in the ‘pot’…and then I
saw this. I had… Read more Fujica DL-20 (Fujica Auto Mate)
December 1: Experiment
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Once again the Castlemaine Art Museum, home to fine Australian printmaking
from three centuries, hosts the biennial, and unique, Experimental Print
Prize. ...
Last Post Ever on TypePad
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Well, this is it—the last-ever TOP post on TypePad. TypePad is scheduled to
close down tomorrow, although who knows what will happen and when. We'll
all se...
Rainbow Water
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This is an interesting technique, and works with any image where parts
of the image move, but a large part of the image remains stationary. It has
alw...
Yashica 8T-2
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Yashica 8T-2 double-8 camera
Following my experiences with the Bolex B-8VS, I wanted a compact 2x8mm
camera to replace it, and for similar reasons–someth...
Emerald Drifters: Reviewed by Madeleine Morlet
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Book Review Emerald Drifters Photographs by Cig Harvey Reviewed by
Madeleine Morlet “In the last few hundred years, science has worked hard to
convince us...
Body Image of the life drawing Models
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報名:https://forms.gle/nqWeXQ37wiq6akr46
Nov 2024「身體主自研習班」(Scroll down for English)
人體模特兒的身體意象 Body Image of the life drawing Models
秋風起🌀,又係讀書充...
Ensign Midget model 2
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The Ensign Midget model 2 is a compact camera with a fascinating history.
Made in 1934, it features an Ensar lens, leaf shutter, and a folding
viewfinder. ...
In Conversation With: Stephan Jahanshahi
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Stephan Jahanshahi is an Iranian-American artist based in Los Angeles. A
graduate of the School of Visual Arts Photo, Video and Related Media MFA
progra...
WMA Award Spotlight: Kurt Tong
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Around the beginning of the Qin Dynasty (circa 1640s), in the Shunde area
of South China, thanks to the booming silk trade, sectors of women became
finan...
Capture One and the Fujifilm GFX 50S (Final)
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The final workflow update for the GFX 50S and Capture One
A surprise announcement by Capture One at Photokina 2018 changed
everything! Starting with vers...
Francis Bacon and George Smiley
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Bill Brandt, Francis Bacon, Primrose
Hill, 1963 Francis Bacon didn’t like this portrait of him by Bill Brandt. I
can’t t...
Scanning Film with the GFX 50S
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Using a digital medium format camera to scan medium format film. What could
go wrong? After bringing home freshly developed 120 format film, I looked
at ...
Home Brew Focus Helicoids
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For a die-hard DIY lens fanatic, focus helicoids are indispensable. I have
written a few posts on this subject, and a DIY post on converting the
Vivitar 2...
Critically acclaimed Chinese photographer Fan Ho spent the 1950s and 60s taking gritty and darkly beautiful photos of street life in Hong Kong. His photographs, to be published in his new book “Fan Ho: A Hong Kong Memoir“, reach back through time and space to connect us to the everyday sights of this bustling metropolis in a way that many of us have never seen before.
Ever since Ho moved to Hong Kong from Shanghai in 1949, he has been documenting these special everyday moments. But the challenges (and superstitions) he faced then were quite different from those faced by photographers today; “With a knife in his hand, a pig butcher said he would chop me. He wanted his spirit back,” Ho told the South China Morning Post.