Introducing Kosmo Foto’s new film – Direktor
-
[image: Kosmo Foto Direktor film and canister (Pic: Stephen Dowling)]In
2017 film photography blog Kosmo Foto launched its Space Age-themed Mono
film. In 2...
Pearl River S-201 (1974)
-
This is a Pearl River S-201 (珠江, Zhu Jiang S-201), a 35mm SLR camera
produced by the Yongguang Instrument Factory in the Chinese province of
Sichuan star...
Photo London 2026: A New Chapter
-
Photo London marks an exciting milestone this May, by making a new home at
Olympia in Kensington. Discover what's new at this year's photography fair.
Th...
Vladyslav Krasnoshchok – Documentation of the War
-
Review by Hans Hickerson · Less can definitely be more. Vladyslav
Krasnoshchok’s Documentation of the War, for example, views like visual
grunge rock – sou...
Tamron AF 90mm f2.5 SP A Mount 騰龍的微距宇宙
-
Tamron 90mm f2.5 SP 是騰龍的90MM 微距鏡頭世界中,自動化對焦的最大光圈系列,出過不同的廠家MOUNT口版本。
我其實有不少支TAMRON 90MM MACRO在手,但還沒全試清楚明白。先拿這支 MINOLTA AF A MOUNT 的版本來試試。 現在SONY
A7CR 的機能強大...
Oracle
-
In her tender portrayal of desert life in Arizona, Andrea Koester records
her evolving relationship to the people, plants and animals that make up
its rich...
Review: Samyang AF 14-24mm 2.8 FE
-
Introduction Released in 2007, the Nikon AF-S 14-24mm 2.8G was the first
ultra wide angle zoom combining a 14-24mm viewing angle with a maximum
aperture ...
Beyond Borgarnes
-
The mundane and the magnificent, all in one frame. As usual, click on the
image for a full-res version.
The post Beyond Borgarnes appeared first on Film ...
Photo Post: Konica Auto Reflex with Phoenix I
-
I had a roll of the original Harman Phoenix left and wanted to use it up,
as I much prefer… Read more Photo Post: Konica Auto Reflex with Phoenix I
Goerz vs. Kodak, Classic Lens Tests
-
I was out yesterday testing a couple of 12-inch lenses for
my 8×10 and smaller sheet film cameras. I recently got a 12-inch Kodak
Commercia...
從「代工帝國」到「帝國代工」──晶片驅力下的技術-軍工複合體
-
本講座探討驅動當前AI算力的晶片,如何從光學攝影的歷史中繼承了帝國視覺性與速度政治的脈絡。
The post 從「代工帝國」到「帝國代工」──晶片驅力下的技術-軍工複合體 first appeared on Voices of
Photography 攝影之聲.
March 19: Stance
-
There is a characteristic and telling moment in the story of Viva Gibb’s
political poster Popondetta 1943 (1978) — a searing silkscreen about the
wartime h...
Edixa 16-S
-
Edixa 16-S
Before Kodak introduced the 110 cartridge format in 1972, one of the great
issues of subminiature film cameras was the proprietary cassette: wi...
Last Post Ever on TypePad
-
Well, this is it—the last-ever TOP post on TypePad. TypePad is scheduled to
close down tomorrow, although who knows what will happen and when. We'll
all se...
Emerald Drifters: Reviewed by Madeleine Morlet
-
Book Review Emerald Drifters Photographs by Cig Harvey Reviewed by
Madeleine Morlet “In the last few hundred years, science has worked hard to
convince us...
Ensign Midget model 2
-
The Ensign Midget model 2 is a compact camera with a fascinating history.
Made in 1934, it features an Ensar lens, leaf shutter, and a folding
viewfinder. ...
In Conversation With: Stephan Jahanshahi
-
Stephan Jahanshahi is an Iranian-American artist based in Los Angeles. A
graduate of the School of Visual Arts Photo, Video and Related Media MFA
progra...
WMA Award Spotlight: Kurt Tong
-
Around the beginning of the Qin Dynasty (circa 1640s), in the Shunde area
of South China, thanks to the booming silk trade, sectors of women became
finan...
Capture One and the Fujifilm GFX 50S (Final)
-
The final workflow update for the GFX 50S and Capture One
A surprise announcement by Capture One at Photokina 2018 changed
everything! Starting with vers...
Francis Bacon and George Smiley
-
Bill Brandt, Francis Bacon, Primrose
Hill, 1963 Francis Bacon didn’t like this portrait of him by Bill Brandt. I
can’t t...
Scanning Film with the GFX 50S
-
Using a digital medium format camera to scan medium format film. What could
go wrong? After bringing home freshly developed 120 format film, I looked
at ...
Home Brew Focus Helicoids
-
For a die-hard DIY lens fanatic, focus helicoids are indispensable. I have
written a few posts on this subject, and a DIY post on converting the
Vivitar 2...
No comments:
Post a Comment